Hello and welcome! Please understand that this website is not affiliated with Guerlain in any way, it is only a reference site for collectors and those who have enjoyed the classic fragrances of days gone by. All trademarks belong to their respective owners. The main objective of this website is to chronicle the 200+ year old history of the Guerlain fragrances and showcase the bottles and advertising used throughout the years. Let this site be your source for information on antique and vintage Guerlain perfumes. Another goal of this website is to show the present owners of the Guerlain company how much we miss many of the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back these fragrances! I invite you to leave a comment below (for example: of why you liked the fragrance, describe the scent, time period or age you wore it, who gave it to you or on what occasion, what it smelled like to you, how it made you feel, any specific memories, what it reminded you of, maybe a relative wore it, or you remembered seeing the bottle on their vanity table), who knows, perhaps someone from the current Guerlain brand might see it. If you have any questions, please send all images of your bottle and pertinent information directly to me at cleopatrasboudoir@gmail.com. I will try to assist you the best I can.

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Sunday, September 8, 2013

Eau Aromatique de Montpellier c1840

Eau Aromatique de Montpellier by Guerlain, launched in 1840, carries a name steeped in history and meaning. The phrase "Eau Aromatique de Montpellier" is French, translating to "Aromatic Water of Montpellier." This name would have immediately evoked images of the renowned city of Montpellier, a center of botanical and medicinal knowledge in France. Known for its esteemed medical school and rich tradition of herbalism, Montpellier was synonymous with the study and use of aromatic plants and healing herbs. The name "Eau Aromatique" itself suggests a blend of fragrant, plant-based essences, highlighting the natural and therapeutic qualities that would have been highly valued in the 19th century.

The name "Eau Aromatique de Montpellier" would have conjured up visions of verdant fields and meticulously cultivated gardens, where the air was thick with the scents of lavender, rosemary, and other Mediterranean herbs. This imagery would have stirred feelings of well-being, tranquility, and a connection to nature. In terms of scent, "Eau Aromatique de Montpellier" likely embodied a fresh, herbaceous fragrance, perhaps with notes of citrus or lavender, reminiscent of the aromatic plants that Montpellier was famous for.

Women of the time would have been drawn to a perfume named "Eau Aromatique de Montpellier" for its association with health, purity, and the natural world. The early 19th century was a period when societal values emphasized refinement, elegance, and a return to nature, reflecting the influence of Romanticism. Perfumes were often seen as more than just personal adornment; they were believed to have health benefits and were an important part of a woman's toilette. "Eau Aromatique de Montpellier" would have been perceived as a sophisticated and wholesome choice, appealing to women who desired a fragrance that was both fashionable and aligned with the era's ideals of natural beauty and well-being.

The 1840s were marked by a blend of progress and tradition. While industrialization was transforming cities and ways of life, there was also a strong undercurrent of Romanticism, which emphasized a deep appreciation for nature, history, and individual emotion. A fragrance like "Eau Aromatique de Montpellier" would have resonated with these cultural themes, offering a bridge between the modern world and the timeless appeal of nature. The choice of such a name by Guerlain not only reflected the company's innovative spirit but also its deep understanding of the cultural currents of the time, appealing to the desires and sensibilities of contemporary women.

Extrait de Gaultheria c1843

Extrait de Gaultheria: launched in 1843.

So what does it smell like? Oil of wintergreen, true (Gualtheria procum- bens) — This is a plant of North America, known as the tea-berry or partridge-berry. 

  • Top notes: wintergreen, cassie
  • Middle notes: lavender, orange blossom, rose
  • Base notes: ambergris, vetiver



Extrait de Gualtheria. Photo by Yoka, from a Guerlain exhibit.

Flacon Mauresque (Moorish) c1910 - ?

Flacon Mauresque (Moorish) c1910 - ?




Bottle created by Pochet et du Courval for various perfumes. Beautifully enameled decoration. Based on a 17th century Persian or Moorish perfume flacon in the Guerlain family collection. This flacon was also used for other Guerlain perfumes. Specifically tailored for custom perfume. Guests can choose perfume bottle shape, stopper shape, decoration and color of flowers.

  • 250cc/250ml/8.4 oz - 22.5cm/8.86"




Arabian Cologne, photo by Yoka, bottle was from a Guerlain exhibit.

Young Princess by Guerlain c1892

"Young Princess" by Guerlain, launched in 1892, was created to honor Marie de Bourbon, daughter of King Alfonso XIII of Spain. Guerlain’s choice of the name "Young Princess" carries a sense of innocence, youth, and regal elegance. The name itself is in English, which would have conveyed a sense of sophistication and accessibility to an international audience at a time when royal associations were highly esteemed. The words "Young Princess" evoke images of grace, purity, and an air of budding aristocracy, reflecting the tender age and royal stature of the perfume's namesake.

In terms of scent, "Young Princess" was described as a light fragrance, likely crafted to capture the essence of youthfulness and simplicity. It would have been interpreted as fresh, delicate, and ethereal, much like a gentle floral breeze. A fragrance with such a name would have carried soft floral notes, perhaps with hints of rose, lily of the valley, or jasmine, evoking the blooming beauty of a young royal. The term suggests innocence yet sophistication, a scent designed for a young woman of refinement and class, embodying both her freshness and potential future grandeur.

Women of the late 19th century, particularly those in higher society, would have been drawn to a perfume named "Young Princess", seeing it as a symbol of elegance and femininity. During this period, perfume played a crucial role in personal expression and social status. A perfume with royal connections like this one would have been regarded as aspirational, signaling refinement and taste. Wearing a fragrance tied to a royal figure like Marie de Bourbon would have allowed women to feel closer to aristocratic ideals and part of a world of luxury and grace.

Flacon Lalique

Flacon Lalique c1925-1963

Bottle created by Lalique to hold extraits of Bouquet de Faunes and Jasmin. The maiden’s face on the front of the bottle was taken from the entrance to the Guerlain boutique at 68 Avenue Champs-Elysées, Paris, France.




This bottle was catalogued by Lalique as "Vasque Louis XVI".
  • 80ml/2.7 oz - 9.7cm/3.82" (1925-1963) 
  • 125ml/4.2 oz - 11cm/4.33" (1925-1958) 
  • 250ml/8.4 oz - 13.5cm/5,.31" (1925-1960) 
  • 1925-1940: 1st version with waves just below neck 
  • 1940-1963: 2nd flat version without waves, marked "Made in France" on the foot


Original presentation box, made up of leather. Photo by Drouot.





See how the baudruchage cords are threaded through the stopper and wrapped around the neck. Photos by Chanelle at parfumo

Atomizer, photo by Bonhams.



Photo showing the stopper and the label. Photo by mona lisa