Rococo À la Parisienne by Guerlain c1879

Rococo À la Parisienne by Guerlain, launched in 1879, reflects a masterful blending of historical allusion and modern allure. Created by Aimé Guerlain, the perfume’s name is a tribute to the opulent and whimsical aesthetic of the Rococo period, but with a distinctly Parisian flair. The term "Rococo" originates from the combination of two French words—rocaille, meaning rock or stone, and coquille, referring to the crescent-shaped decoration of cockleshells. These terms evoke the intricate designs often seen in Rococo art and architecture, which were characterized by their lightness, elegance, and elaborate ornamentation. By choosing the name "Rococo À la Parisienne," Guerlain conjures a sense of luxurious, playful sophistication deeply connected to both French cultural heritage and the romantic, fashionable sensibilities of Paris in the late 19th century.

The phrase "À la Parisienne," meaning "in the Parisian style," brings a sense of modernity and urban chic to the name. Together, "Rococo À la Parisienne" evokes images of a world where decadence meets refinement. The name is steeped in French language and culture, combining historical opulence with the contemporary elegance of Paris, the epicenter of fashion and art during the late 19th century.

The word "Rococo" alone summons visions of ornate interiors, delicate pastel colors, gilded furnishings, and scenes of aristocratic leisure. By combining it with "À la Parisienne," the fragrance suggests a modern, urban interpretation of these baroque ideals. The imagery of seashell motifs, rock formations, and playful curves found in Rococo design translate into a perfume that would be light, delicate, yet exuberant—a scent that plays with contrasts of softness and sharpness, sweetness and depth. In fragrance terms, this could be imagined as a blend of powdery florals, soft citrus, and perhaps a delicate musk or amber, capturing both the light-heartedness and richness of the Rococo era.

For women of the 1879 period, a perfume named "Rococo À la Parisienne" would have represented a connection to the lavishness of the past while also embracing the fashion-forward lifestyle of Paris. The late 19th century was a time when France, particularly Paris, was synonymous with elegance and luxury. The name would resonate with women who were eager to embody the romanticism of an aristocratic past, while still being attuned to the artistic and cultural innovations of their time. Wearing such a perfume would likely make them feel sophisticated, artistic, and a part of the Parisian elite.

The period in which this perfume was launched saw a resurgence of interest in historical styles, particularly in the decorative arts, where the naturalistic and fanciful elements of the Rococo were highly admired. Aristocratic gardens of the Rococo era, with their grottoes and rock gardens encrusted with seashells and jagged rocks, were symbolic of nature tamed and curated into art. These whimsical, almost otherworldly spaces served as luxurious escapes, much like a fine perfume. In this context, "Rococo À la Parisienne" evokes the fanciful and ornamental nature of these gardens—spaces where artifice and nature intertwined. The irregularity and contrast of sharp, pointed rocks alongside delicate, intricate shell patterns reflect the complexity of emotions that the fragrance would likely aim to evoke—simultaneously natural and sophisticated, playful yet profound.

Fragrance Composition:

So what does it smell like? I would say that it is a floral fragrance., but I have no published notes on this composition.

Bottles:

Presented in the Carre flacon.

photos by drouot

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Fate of the Fragrance:

Discontinued, date unknown. It was still being sold in 1903.