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Hello and welcome! Please understand that this website is not affiliated with Guerlain in any way, it is only a reference site for collectors and those who have enjoyed the classic fragrances of days gone by. All trademarks belong to their respective owners.
The main objective of this website is to chronicle the 200+ year old history of the Guerlain fragrances and showcase the bottles and advertising used throughout the years. Let this site be your source for information on antique and vintage Guerlain perfumes. Another goal of this website is to show the present owners of the Guerlain company how much we miss many of the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back these fragrances!
I invite you to leave a comment below (for example: of why you liked the fragrance, describe the scent, time period or age you wore it, who gave it to you or on what occasion, what it smelled like to you, how it made you feel, any specific memories, what it reminded you of, maybe a relative wore it, or you remembered seeing the bottle on their vanity table), who knows, perhaps someone from the current Guerlain brand might see it.
If you have any questions, please send all images of your bottle and pertinent information directly to me at cleopatrasboudoir@gmail.com. I will try to assist you the best I can.
Showing posts with label flacon goutte. Show all posts
Showing posts with label flacon goutte. Show all posts
Monday, October 19, 2015
Monday, June 29, 2015
Monday, July 22, 2013
Shalimar Eau de Toilette
Shalimar Eau de Toilette c1980s. Peach colored box with an embossed zig zag pattern and gilded frame surrounded the perfume name and information. This is an unusual presentation and is not commonly seen up for sale.
photo by ebay seller doc1958
The footless Chauve Souris bottle was first used for Shalimar eau de toilette in 1995 and later was used for it's eau de cologne as well. The eau de toilette had a blue cap/stopper and the later versions of the eau de cologne had a frosted white cap/stopper.
Wednesday, January 30, 2013
Jasmiralda by Guerlain c1912
Jasmiralda by Guerlain, launched in 1912 and created by Jacques Guerlain, was inspired by the character Esmeralda from Victor Hugo’s famous novel, Notre Dame de Paris (often known as The Hunchback of Notre Dame). Esmeralda, a captivating and tragic heroine, embodies beauty, innocence, and freedom. She is a Romani dancer whose charm captures the hearts of men, including the bell ringer Quasimodo, priest Claude Frollo, and the captain Phoebus. Her story unfolds in a tale of obsession, love, and sacrifice, leading to her untimely demise. Guerlain’s choice of the name "Jasmiralda" evokes Esmeralda’s spirit, merging her vibrant, enchanting character with the sensuality and allure of jasmine, one of the most celebrated flowers in perfumery.
The name "Jasmiralda" is a creative fusion of the word jasmine and Esmeralda, pronounced "JAZ-mih-ral-da." It evokes images of a sensual, free-spirited woman who defies convention and captivates those around her. The name itself is a tribute to Hugo’s Esmeralda, symbolizing beauty that is both delicate and powerful. Jasmine, known for its rich, narcotic scent, complements the mystery and allure that the character represents, embodying a fragrance that could mirror Esmeralda’s grace, intensity, and vulnerability.
Jasmiralda is classified as a soft floral perfume for women, with a dominant jasmine note. In scent, the name "Jasmiralda" might suggest an intoxicating floral bouquet, led by the sweet, exotic intensity of jasmine—a flower long associated with seduction and sensuality. The fragrance would likely be soft, elegant, yet bold, much like Esmeralda herself. Women of the time period would have connected with the romantic, adventurous spirit of the perfume, which could evoke a sense of mystery and allure, qualities admired during the Belle Époque era, a time marked by cultural flourishing and indulgence.
Launched in 1912, Jasmiralda appeared at the tail end of the Belle Époque, an era of artistic freedom, luxury, and beauty that culminated before the onset of World War I. During this time, women were beginning to experiment with new freedoms, pushing the boundaries of traditional femininity. The character of Esmeralda, with her uninhibited nature and tragic beauty, would have resonated with women who were increasingly looking to assert their independence. A perfume named after such a character would symbolize sensuality, strength, and individuality—qualities that were becoming increasingly important to women of this era.
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