Double Extrait de Fleurs d'Oranger by Guerlain

Extrait de Fleurs d'Oranger, launched by Guerlain in 1833 and crafted by Pierre-François Pascal Guerlain, evokes a timeless elegance through its evocative name. The term "Extrait de Fleurs d'Oranger" translates from French to "Extract of Orange Blossoms." This name not only highlights the primary ingredient but also suggests a refined and potent formulation, emphasizing the purity and intensity of the orange blossom's fragrance.

In the 19th century, "Extrait de Fleurs d'Oranger" would have conjured images of lush, sunlit orchards filled with the delicate white blooms of orange trees. The term "fleurs d'oranger" (orange blossoms) evokes a sense of freshness and sophistication, transporting one to the serene and fragrant environment of an orange grove in full bloom. The inclusion of "extrait" in the name implies a concentrated and luxurious essence, hinting at the high-quality, premium nature of the perfume.

The scent of Extrait de Fleurs d'Oranger would be interpreted as a rich and opulent floral experience. The fragrance would capture the sweet, ethereal aroma of orange blossoms, with their subtle hints of citrus and honeyed undertones. During the 19th century, women who chose this fragrance would have been drawn to its refined and classic allure, appreciating its ability to evoke both elegance and tranquility. The period was marked by an increasing interest in floral and botanical scents, with perfumers like Guerlain pushing the boundaries of fragrance creation through the use of natural extracts and, eventually, synthetic compounds. Extrait de Fleurs d'Oranger would have perfectly encapsulated the era’s fascination with sophisticated and pure floral essences, reflecting the wearer’s taste for timeless beauty and grace.

Fleurs d'Italie by Guerlain c1839

Fleurs d'Italie by Guerlain, launched in 1839, derives its name from the French phrase meaning "Flowers of Italy." The fragrance was also introduced under its Italian counterpart, Fiori di Italia, reflecting the cultural and floral inspiration of the Mediterranean.

The choice of this name is significant, evoking the lush landscapes, vibrant gardens, and rich cultural heritage of Italy, a country long associated with beauty, romance, and artistry. In the early 19th century, Italy was viewed as a destination of inspiration and elegance, often romanticized by poets, painters, and aristocrats alike. By naming the fragrance Fleurs d'Italie, Guerlain tapped into this powerful imagery, offering a sense of exotic escape, refinement, and natural beauty that would have resonated with the women of the time.

The phrase "Fleurs d'Italie" conjures visions of Mediterranean landscapes, where citrus groves thrive in the sun, and fields of wildflowers sway in the warm breeze. It evokes the colors of vibrant blossoms, the freshness of morning dew, and the delicate sweetness of floral petals. Emotionally, the name suggests a blend of elegance and exuberance, transporting the wearer to a sun-drenched Italian garden filled with jasmine, roses, and other fragrant blooms. To a 19th-century woman, this scent would have symbolized beauty and grace, a connection to the natural world that was both sophisticated and pure.

In terms of its scent, Fleurs d'Italie would be interpreted as a bouquet of fresh, bright floral notes, combined with a subtle warmth and depth that mimicked the rich aromas of the Italian countryside. Notes of jasmine, rose, and perhaps a touch of citrus would dominate the composition, suggesting a light yet intoxicating blend of Mediterranean flora. A woman wearing Fleurs d'Italie might have imagined herself strolling through a garden villa, the air perfumed with the sweet scent of flowers in bloom. The fragrance would have been a symbol of refinement and femininity, appealing to women who desired to express their individuality while embracing the romantic ideals of their time.

The launch of Fleurs d'Italie in 1839 came at a time when Europe was on the cusp of great cultural and technological changes. The industrial revolution was transforming cities, yet there was still a deep longing for nature and simplicity, reflected in the popularity of perfumes that captured the essence of the natural world. Fleurs d'Italie would have provided an elegant contrast to the more urbanized and fast-paced life of the time, offering women an olfactory escape into the peaceful beauty of the Italian countryside.

Senteurs des Champs by Guerlain c1828

Senteurs des Champs by Guerlain: launched in 1828. Created by Pierre-François Pascal Guerlain.

Aqua Allegoria Winter Delice by Guerlain c2005

Aqua Allegoria Winter Delice by Guerlain: launched in 2005.

West End by Guerlain c1839

Guerlain’s West End, launched in 1839, is a fragrance that captures the essence of London’s prestigious and fashionable district of the same name. The choice of "West End" as a name is a nod to one of London’s most affluent and culturally vibrant areas. The term "West End" refers to the district located in the western part of Central London, renowned for its high society and entertainment venues. It evokes images of opulent theaters, grand hotels, and elegant shopping streets, all contributing to a sense of refinement and luxury.

The name West End conjures images of a sophisticated and bustling area known for its exclusivity and status. The West End was famous in the early 19th century for its theaters and cultural landmarks, such as Covent Garden and the burgeoning entertainment scene, attracting the elite and socialites of London. The district was home to the city's wealthiest residents, and it became synonymous with high society and fashionable living.

For women of the time period, a perfume named West End would have signified an association with this luxurious lifestyle. It would have been perceived as a fragrance that embodies the elegance and exclusivity of London’s premier district, reflecting the aspirations and social status of those who wore it. The scent was likely crafted to evoke the same sophistication and charm as the area it was named after, making it a symbol of refined taste and social prestige.

It is noteworthy that West End was not an original creation by Guerlain but rather a popular fragrance of the era, with several major perfume houses offering their own versions. The widespread use of similar formulas underscores the scent’s appeal and its embodiment of the refined, sophisticated aura associated with London’s West End. The fragrance served as a marker of class and elegance, aligning itself with the high standards and cultural vibrancy of one of the world's most celebrated districts.

Bouquet Princess Alexandra by Guerlain c1878

Bouquet Princess Alexandra, launched by Guerlain in 1878, was created by Pierre-François Pascal Guerlain to commemorate the birth of Princess Alexandra of Saxe-Coburg and Gotha. The name "Bouquet Princess Alexandra" carries deep significance, as it celebrates not just the arrival of a royal child but also evokes the grace, beauty, and elegance associated with her lineage. The word "Bouquet" suggests a collection of the finest flowers, carefully arranged in a tribute to the young princess. It is French in origin, further emphasizing Guerlain’s rich heritage in French perfumery and the opulent, courtly traditions of the time.

The name "Bouquet Princess Alexandra" conjures images of royalty, refinement, and grandeur. It evokes a scene of palaces, elegant gardens, and a lifestyle defined by grace and formality. The perfume, by its very name, suggests a fragrance that is both regal and tender, suitable for a royal figure. It conveys emotions of celebration, honor, and a sense of history in the making, marking a significant moment in European royalty. In scent, Bouquet Princess Alexandra could be interpreted as a delicate and graceful floral composition, perhaps reminiscent of roses and other royal blooms, meant to symbolize youth, innocence, and noble beauty.

Women of the late 19th century, especially those with aspirations toward refinement and class, would have found great allure in a perfume named after a royal princess. Royalty often set the trends in fashion and beauty, and wearing a fragrance associated with a figure like Princess Alexandra would have offered a sense of connection to that world. In a time when personal fragrance was one of the most intimate and cherished luxuries, owning such a perfume would have signified taste, sophistication, and admiration for royalty.

The time period of Bouquet Princess Alexandra's launch, the late 19th century, was one of significant cultural and political influence from royal families across Europe. Guerlain, already an established house with a reputation for creating luxurious perfumes, likely saw an opportunity to enhance their prestige by honoring a member of the British royal family. Princess Alexandra’s birth represented the union of important royal lineages, and celebrating such an event through fragrance was fitting for the brand’s history of crafting perfumes for aristocrats and royals.

Guerlain’s creation of perfumes for royalty was a strategic choice, reflecting both a deep appreciation for tradition and a desire to align with the opulence and status associated with the upper echelons of society. Perfumes made for royals not only bolstered the brand's reputation but also allowed it to connect with customers who sought to emulate the grandeur and sophistication of royal life.

Terracotta Voile d`Ete c1999

Terracotta Voile d`Ete by Guerlain: launched in 1999. Created by Mathilde Laurent based on the vintage formula of Quand Vient l'Été by Jacques Guerlain.

Aqua Allegoria Passiflora by Guerlain c2018

Aqua Allegoria Passiflora by Guerlain: launched in 2018. Created by Thierry Wasser.

Bouquet de Lord Elphinstone by Guerlain c1839

Launched in 1839, Bouquet de Lord Elphinstone by Guerlain carries a name that evokes both distinction and historical significance. The fragrance is named after John Elphinstone, the 13th Lord Elphinstone, a notable British colonial administrator who served as the Governor of Madras and later Bombay. His reputation for leadership during the Indian Mutiny and his high status made him a figure of considerable esteem.

The name "Bouquet de Lord Elphinstone" translates to “Bouquet of Lord Elphinstone” in English, combining the French word "Bouquet," meaning "bouquet" or "arrangement of flowers," with the title of a respected British nobleman. This choice of name suggests a fragrance that aims to capture the elegance and sophistication associated with Lord Elphinstone’s stature. It conveys an image of grandeur and refinement, positioning the perfume as a luxurious and distinguished choice.

The term "Bouquet de Lord Elphinstone" would evoke imagery of an opulent floral arrangement, possibly incorporating exotic and classic blooms that reflect both British nobility and colonial charm. The scent would likely be interpreted as a sophisticated blend of floral and perhaps slightly spicy or woody notes, designed to reflect the exotic and influential nature of its namesake.

Women of the 19th century, particularly those familiar with the prominent figures of the British Empire, would have related to Bouquet de Lord Elphinstone as a fragrance embodying the grace and high status of its namesake. The early 19th century was a period when perfumes often carried names associated with royalty or notable figures, enhancing their allure and prestige. As such, this fragrance would have been viewed as an elegant and exclusive choice, suitable for women who wished to express their sophistication and appreciation for refined scents. The time period was marked by a growing interest in exotic and luxurious goods, influenced by expanding global trade and colonial encounters, making a perfume named after a significant historical figure a particularly appealing and prestigious choice.

Bouquet Suave by Guerlain c1834

Introduced in 1834, Bouquet Suave by Pierre-François Pascal Guerlain is a fragrance that embodies sophistication and refined elegance. The name, which translates from French to "Elegant Bouquet," suggests a composition that is both graceful and sophisticated, designed to appeal to those with a taste for luxury and refinement.

The phrase Bouquet Suave evokes images of an opulent arrangement of flowers, carefully curated to create a sense of understated beauty and charm. The term "bouquet" indicates a carefully blended assortment of floral notes, while "suave" conveys smoothness and elegance, suggesting a scent that is polished and effortlessly sophisticated. Together, these words paint a picture of a fragrance that is not only luxurious but also elegantly subtle.

In terms of scent, Bouquet Suave would likely be interpreted as a rich, complex fragrance with a harmonious blend of floral and woody notes. Expect an ensemble of refined blossoms such as rose, violet, and iris, intertwined with warm undertones of sandalwood or musk. This composition would aim to deliver a scent experience that is both captivating and graceful, reflecting the polished sophistication implied by the name.

For women of the early 19th century, a perfume named Bouquet Suave would have resonated deeply with their desire for elegance and sophistication. In a time when personal grooming and presentation were of paramount importance, a fragrance that promised a suave and refined character would have been highly desirable. Bouquet Suave would have been seen as a way to express one's own elegance and taste, providing a subtle yet powerful statement of class and sophistication.

Bouquet de Cintra by Guerlain c1873

Bouquet de Cintra, launched by Guerlain in 1873, was a fragrance that elegantly captured the essence of a lush and verdant landscape. The name “Bouquet de Cintra” evokes the image of a rich and vibrant floral arrangement from Cintra, a picturesque city in Portugal renowned for its natural beauty. 

Cintra is celebrated for its citrus groves, abundant with fresh lemons, citrons, and oranges, as well as its fields adorned with a profusion of sweet-scented wildflowers. The name itself, translating to “Bouquet of Cintra,” conjures images of this fragrant paradise, where wild arbutus, chrysanthemums, and a variety of delicate blooms like ionopsidium, linaria, and narcissus flourish.

The scent of Bouquet de Cintra likely reflects this bountiful floral and citrus landscape. The fragrance would have been designed to capture the fresh, zesty aroma of the citrus groves, paired with the sweet, heady scents of wildflowers and the earthy undertones of the surrounding vegetation. The inclusion of elements such as laurel, acacia, palm, aloe, cork oak, and pine suggests a complex blend that combines bright citrus notes with the deeper, mossy green, and woody nuances of the Cintra landscape.

Perfumy Barbara

Perfumy Barbara Parfum pour le mouchoir et les appartements prepare par Guerlain, parfumeur distillat. 15 rue de la Paix, Paris.

Perfumy Barbara Perfume for the handkerchief and the apartments prepared by Guerlain, distillate perfumer. 15 rue de la Paix, Paris.

Marquise D'Auberive by Guerlain c1893

Marquise D'Auberive, launched by Guerlain around 1893, embodies a connection to the theatrical and social elite of the time. The name “Marquise D'Auberive” directly references a character from Émile Augier’s play Les Effrontées. This character was portrayed by the renowned actress Madame Jane Hading at the Theatre Royal Drury Lane in 1893, with subsequent performances by Cécile Sorel. The title “Marquise” signifies a noble rank, and “D'Auberive” lends a touch of sophistication and aristocratic flair, combining to evoke an image of high society and genteel elegance.

The name “Marquise D'Auberive” is French, and it translates to “Marquise of Auberive” in English. The term "Marquise" itself conjures images of regal elegance, refinement, and a certain historical gravitas. It evokes a sense of aristocratic charm and the poised sophistication of 19th-century high society. The word "D'Auberive" adds an air of exclusivity and nobility, suggesting an individual of high standing and grace. Together, these elements create an impression of a fragrance designed for someone of distinguished taste and elegance.

In terms of scent, "Marquise D'Auberive" would likely be interpreted as a perfume of classic refinement and opulence. It would conjure an olfactory portrait of a noblewoman's sophisticated presence—perhaps featuring rich, elegant floral notes blended with opulent spices and warm, comforting base notes. The scent might have been designed to reflect the character's grace and allure on stage, capturing the essence of nobility and high society in a bottle.

Women of the period, especially those attuned to the latest in fashion and theater, would have related to a perfume named "Marquise D'Auberive" with admiration and intrigue. The late 19th century was a time when the intersection of theater, aristocracy, and fashion created a vibrant cultural milieu. Guerlain’s choice of name would have resonated with women who admired the character’s portrayal and wished to embody a touch of that aristocratic elegance. The perfume would be seen as a mark of distinction and sophistication, offering a way for women to align themselves with the glamour and prestige associated with the Marquise.

Aqua Allegoria Ylang & Vanille c1999

Aqua Allegoria Ylang & Vanille: launched in 1999.

Neroli Outrenoir by Guerlain c2016

Neroli Outrenoir (for the L’Art & la Matière line)

Jadis by Guerlain c1883

Jadis by Guerlain: launched in 1883. Created by Aimé Guerlain. The name is a French word meaning "formerly", "once" or "the past".

Extrait de Caryophilus album by Guerlain c1848

Extrait de Caryophilus album by Guerlain: launched in 1848. This is the fragrant white carnation (dianthus) blossom.

Tubereuse by Guerlain c1833

Launched in 1833, Guerlain's Tubereuse captures the essence of one of the most opulent and exotic flowers of its time. The name Tubereuse is derived from the French word for "tuberose," a flowering plant renowned for its intensely fragrant blossoms. This choice of name underscores the perfume's focus on the tuberose flower, which was celebrated for its rich, creamy scent and its association with luxury and sensuality.

In French, Tubereuse translates directly to "tuberose," a flower that evokes a sense of sophistication and allure. The tuberose's fragrance is known for its heady, voluptuous aroma, which combines notes of sweetness and spice, making it both captivating and enigmatic. The word itself conjures images of lush, tropical gardens and evening strolls under the moonlight, where the tuberose's intoxicating scent fills the air. It suggests a fragrance that is bold, assertive, and deeply evocative, embodying the very essence of the flower's luxurious and seductive qualities.

For women in the early 19th century, the name Tubereuse would have been particularly resonant. During this period, the appreciation for exotic and rare scents was growing, as the Romantic era's fascination with nature and the allure of the unfamiliar were coming to the forefront. The tuberose, with its complex and heady scent profile, would have been seen as a symbol of elegance and refinement. A perfume named Tubereuse would likely be regarded as a statement of sophistication, appealing to those who sought to embrace the exotic and the opulent in their personal fragrance. The perfume would have been associated with high social standing and an appreciation for the finer things in life, reflecting a period of burgeoning interest in luxury and individuality in the realm of personal scent.

Dix Petales de Roses by Guerlain c1897

Dix Pétales de Roses by Guerlain, launched in 1897 and created by Jacques Guerlain, is a perfume whose name translates from French to "Ten Rose Petals." The choice of this name reflects a deliberate focus on delicacy and simplicity, emphasizing the elegance and timeless beauty of the rose. Roses have long symbolized romance, femininity, and grace, and by evoking the image of precisely ten rose petals, the fragrance suggests a careful, refined composition—a balance of beauty and restraint. The number "ten" adds a sense of completeness, as if capturing the perfect moment when a rose is in full bloom.

The name "Dix Pétales de Roses" conjures vivid imagery of soft, fragrant rose petals scattered in a garden or perhaps carefully placed in a delicate sachet. It evokes emotions of romance, tenderness, and serenity. The soft, sensual allure of rose petals is universally associated with love and beauty, and the phrase would instantly bring to mind the lush, velvety feel of rose petals and their intoxicating scent. The word "Dix" (ten) suggests an intentional, almost poetic precision, highlighting the artisanal care that would have gone into crafting the fragrance.

In terms of scent, Dix Pétales de Roses would be interpreted as a floral fragrance, likely dominated by rose notes but balanced by subtle undertones that enhance the freshness and purity of the roses themselves. Guerlain would have likely crafted this perfume to be soft and delicate, with a graceful sillage, capturing the fleeting beauty of rose petals as they fall. The scent would be light and ethereal, perfect for everyday wear, offering a refined yet romantic presence. Women of the time would have been drawn to the subtle elegance of the fragrance, appreciating its ability to capture the essence of a single flower with sophistication.

My Insolence by Guerlain c2007

My Insolence by Guerlain: launched in 2007. Created by Christophe Raynaud and Sylvaine Delacourte.

Double Extrait d'Hymenaea Nitida by Guerlain c1848

Double Extrait d'Hymenaea Nitida by Guerlain: launched in 1848. I was unable to identify this particular scientific name, it appears it might be the hymenaea tree of Brazil, the source for copal resin.

Cyprisine by Guerlain c1894

Cyprisine, launched by Guerlain in 1894 and created by Aimé Guerlain, carries a name that evokes a sense of elegance and timeless beauty. The word "Cyprisine" is derived from the name Cyprus, rooted in French ("Chypre"), which is historically linked to the island where Aphrodite, the goddess of love and beauty, was said to have emerged. The name "Cyprisine" draws on this mythological heritage, symbolizing an air of romance, allure, and femininity. It would have immediately conjured images of classical beauty, the Mediterranean, and the divine presence of Aphrodite herself. Women of the Belle Époque would have likely interpreted Cyprisine as a fragrance of sophistication, embodying grace, sensuality, and mystery.

In scent, Cyprisine would be experienced as both earthy and ethereal. As a chypre fragrance, it followed a traditional formula of blending citrus top notes with a heart of florals and a mossy, resinous base. Chypre perfumes are characterized by their unique contrast between fresh and warm, bright and dark, making them both timeless and compelling. Women of the late 19th century, emerging in an age of luxury and artistry, would have appreciated the rich complexity of this fragrance. The name Cyprisine would evoke visions of lush Mediterranean landscapes, warm breezes, and the soft fragrance of forested hillsides, giving a sense of escape and elegance.

The Belle Époque, the period in which Cyprisine was introduced, was an era of opulence, where art, fashion, and luxury goods flourished. Perfume was an essential accessory for women during this time, and Guerlain was at the forefront of creating sophisticated, high-quality scents. While many fragrances of the time focused on florals, such as violet and rose, chypre perfumes stood out for their depth and multifaceted composition. Cyprisine, with its chypre structure, would have been unique and daring compared to the more straightforward floral compositions popular in the 1890s, appealing to women who desired something bold, distinctive, and grounded in nature.

A chypre fragrance is built on a traditional accord of three key components: citrus, typically bergamot, at the top; a heart of floral or fruity notes; and a base of earthy, resinous notes like oakmoss, labdanum, and patchouli. This creates a beautifully balanced contrast between light and dark, where fresh citrus evolves into a warm, woody dry down. Chypres were among the most sophisticated of fragrance families, offering a long-lasting and elegant profile that felt luxurious and rich.

Fleurs de Lavande c1900

Fleurs de Lavande by Guerlain: launched circa 1900.

Patchouli Ardent by Guerlain 2020

 Patchouli Ardent by Guerlain: launched in 2020. Created in by Thierry Wasser as part of the Les Absolus d'Orient line. 

Guerlain's Depilatory & Prepared Water c1910

The taller bottle stands 4 5/8" tall

 

Historical Powders & Rouge

Aux Bon Vieux Temps c1890

Au Bon Vieux Temps, launched in 1890 by Jacques Guerlain, is a name steeped in sentimentality and rich, nostalgic imagery. Translated from French, Au Bon Vieux Temps means "In the Good Old Times." This phrase immediately conjures a longing for the past, for an era of elegance, tradition, and simpler, more gracious living. By naming the perfume this way, Guerlain taps into the collective yearning for the romance of a bygone era—a time when life was more measured, and beauty was found in the everyday, such as in the scent of potpourri wafting through homes or the musk-soaked fabrics of the previous century.

The name evokes the warmth and comfort of a time when homes were adorned with sweet jars filled with dried flowers, herbs, and spices, known as potpourri. These jars released gentle, lingering scents throughout rooms, making them a constant presence in the domestic life of the 18th and early 19th centuries. Potpourri was a means of keeping the home fragrant, long before modern perfumes or air fresheners existed. The scent of potpourri was often layered with spices, dried petals, and herbs, delivering a rich, earthy aroma that could be sweet and spicy or powdery and floral, depending on the blend. This nostalgic connection to the home, with the comforting smells of potpourri, would have resonated with women of the late 19th century, particularly as they navigated a rapidly changing world.

Au Bon Vieux Temps would be interpreted in scent as a return to these comforting, familiar smells—those of leather-bound books, musky perfumes, and richly decorated interiors. It likely captured the essence of a room filled with potpourri jars, combining woody, musky, and sweet floral notes in a way that invoked a sense of warmth, stability, and timelessness. For women of the time, this perfume would represent a connection to their heritage, recalling the old-world charm of grand homes, lush gardens, and the slower pace of life from their mothers' and grandmothers' generations. It would embody a sense of elegance rooted in tradition, and wearing such a fragrance would be a way to express refinement and an appreciation for the past.

The perfume was launched at the cusp of the Belle Époque, a period in French history from the late 19th century into the early 20th century, known for its cultural flourishing, technological advances, and artistic innovation. Though forward-looking, the Belle Époque also had a strong sense of nostalgia for the past, particularly for the aesthetics and customs of earlier centuries. During this period, there was a great fascination with the opulence and elegance of the 18th century, which influenced everything from fashion to interior design, and Au Bon Vieux Temps would have fit neatly into this trend of romanticizing the past.

Un Air de Samsara c1995

Un Air de Samsara: launched in 1995.  It was created by Jean-Paul Guerlain as a lighter and fresher version of the successful oriental perfume 'Samara'.

Rex by Guerlain c1890s

Rex by Guerlain, launched in the 1890s, carries with it a name steeped in regal symbolism. The word "Rex" is Latin for "king," a simple yet powerful word that evokes a sense of authority, grandeur, and legacy. Guerlain’s choice of this name was deliberate, reflecting the continued influence and admiration of monarchy and aristocracy during this time, as well as an allusion to one of its earlier fragrances, Bouquet du Roi (King’s Bouquet). In renaming the fragrance "Rex," Guerlain not only modernized the earlier creation but also amplified its association with royalty and prestige, aligning the perfume with the grandeur of kingship.

The word "Rex" conjures images of royal courts, gilded palaces, and stately ceremonies. It evokes feelings of power, grace, and nobility, bringing to mind the opulence and dignity associated with monarchy. In scent, "Rex" would be interpreted as something deeply luxurious, possibly rich and layered with notes that symbolize strength and refinement—perhaps rich woods like sandalwood or cedar, deep spices, and subtle floral accords like iris or violet, which often signify elegance and royalty in perfumery. It would be a fragrance that commands attention and evokes respect, much like the presence of a king.

For women of the 1890s, a perfume called "Rex" would have symbolized a connection to aristocratic elegance and sophistication. This was a period when monarchies and noble titles still held considerable sway over society, and the idea of royalty was deeply admired. Women who wore Rex would likely feel an air of distinction and privilege, imagining themselves stepping into the shoes of queens or noblewomen. The name alone would suggest that the wearer was someone of importance, or at the very least, someone who desired to embody the grace and power associated with royalty.

The time period of the 1890s was one of transition, as Europe still maintained many monarchies, even while democratic movements gained traction. Guerlain, a house rooted in tradition and famed for its perfumes tailored to the tastes of the elite, continued to create fragrances that appealed to royalty and nobility. This was the era of the Belle Époque, a period of flourishing art, culture, and fashion in Paris. The wealthy upper classes, including European royalty, were still influential arbiters of taste, and luxurious fragrances were essential to their image.

By naming the fragrance Rex, Guerlain reinforced its ties to nobility, continuing a tradition of serving royalty and aristocrats. The brand had already established itself as a favorite among elite circles, having created perfumes for Empress Eugénie and other royal figures. Guerlain understood the importance of maintaining this connection with the upper echelons of society, where opulence, status, and tradition were still highly valued. At the same time, Rex could also appeal to the aspirational classes, as it represented a touch of regal luxury that symbolized power and exclusivity in a period where many people still admired and sought to emulate the elegance of nobility.

Guerlain Cosmetics & Skincare c1960s-1970s

Strange Shalimar Perfume Bottle c1970s

I came across this unusual vintage Shalimar extrait bottle on ebay a few weeks ago and felt it was highly suspect. I have never seen this bottle shape before in any Guerlain advertising and wondered if perhaps it was a well crafted vintage fake or if it was an item made only for sale in the United States or Canada.


The Shalimar label on the bottle is askew and just looks weird. The bottle sits inside of a cardboard insert. There is a weird little sign underneath the bottle of which I have never seen before. There is a price of $35.00 printed on the box where the Ref # (Catalog #) should be.

The price would be about right for the time period for a 1 oz bottle as it was retailing for $30 in 1973 and the price went up to $40 and ounce in 1976.

Why would extrait be housed in this ugly bottle. It appears that it could be used for travel.

Click Here to see the weird Shalimar bottle