Hello and welcome! Please understand that this website is not affiliated with Guerlain in any way, it is only a reference site for collectors and those who have enjoyed the classic fragrances of days gone by. All trademarks belong to their respective owners. The main objective of this website is to chronicle the 200+ year old history of the Guerlain fragrances and showcase the bottles and advertising used throughout the years. Let this site be your source for information on antique and vintage Guerlain perfumes. Another goal of this website is to show the present owners of the Guerlain company how much we miss many of the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back these fragrances! I invite you to leave a comment below (for example: of why you liked the fragrance, describe the scent, time period or age you wore it, who gave it to you or on what occasion, what it smelled like to you, how it made you feel, any specific memories, what it reminded you of, maybe a relative wore it, or you remembered seeing the bottle on their vanity table), who knows, perhaps someone from the current Guerlain brand might see it. If you have any questions, please send all images of your bottle and pertinent information directly to me at cleopatrasboudoir@gmail.com. I will try to assist you the best I can.

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Wednesday, January 30, 2013

Atuana by Guerlain c1952

Atuana, launched by Guerlain in 1952, was a fragrance that paid homage to the exotic allure of the South Seas, specifically the island of Atuona, where the famed French artist Paul Gauguin spent his final years. Atuona, located in the Marquesas Islands of French Polynesia, was part of France's overseas territories, making it both a geographic and cultural connection for French creators like Jacques Guerlain. 

By naming this perfume Atuana, Guerlain evoked images of the idyllic and untamed beauty of the Pacific, where lush landscapes and rich cultural traditions fascinated many in the Western world. The name "Atuana" itself seems derived from the island's name Atuona, and means "country" in Hawaiian, its pronunciation (ah-twah-nah) would likely have carried an air of mystery and allure for those unfamiliar with the region.

The word Atuana evokes vivid images of an exotic paradise, conjuring up visions of tropical islands with shimmering blue waters, white sand beaches, fragrant blooming flowers, and an intoxicating air of escape. Emotionally, it stirs up the romance of adventure, the allure of distant lands, and the desire for something rare and untouched by modernity. In scent, Atuana would be interpreted as an exotic blend of spices that carry the warmth and vibrancy of the tropics, softened by amber and vanilla, creating a sultry yet sophisticated fragrance.

The 1950s were a time of fascination with faraway lands and cultures, especially the South Seas. Films, fashions, and art from this period often depicted tropical settings as escapes from the mundane, romanticizing life in places like Tahiti, Hawaii, and the Marquesas Islands. The South Seas were seen as paradises untouched by the complications of modern life, offering both adventure and sensuality. This genre of exoticism became a huge influence on everything from the tiki bar craze to travel posters and, of course, perfumes. Atuana would have appealed to women of this era who were swept up in this wave of fascination with the "otherworldly" beauty of the Pacific, allowing them to indulge in the fantasy of travel and tropical luxury, even if only through the experience of fragrance.


Women in the 1950s, particularly those in Paris and other cosmopolitan centers, were drawn to fragrances that offered a sense of elegance and escape. Atuana, with its aromatic fougère profile, layered with the warmth of amber and vanilla, offered a perfect balance of exoticism and refinement. This was a time when women were seeking a return to glamour after the austerity of World War II, and the allure of distant lands provided the perfect fantasy for this renewed sense of femininity and luxury. Atuana, as a fragrance, captured the zeitgeist of this period, where escapism, exotic beauty, and a touch of sophistication defined the cultural mood.

New Yorker, 1952,
"Guerlain's new Atuana (the name is Polynesian, and implies irresistible temptation or mad desire or something equally incandescent) is, at first sniff, a little like chypre. It dries into a subtle, warm, spicy scent, faintly reminiscent of carnations. $30"

Cue, 1952:
"Supernatural powers are promised to the wearer of Guerlain's warm and heady new scent, Atuana ($14 per 2/3 oz), which means "goddess in the South Seas regions which inspired it."

Fragrance Composition:


So what does it smell like? It is classified as an aromatic fougere fragrance for women with an amber and vanilla base.
  • Top notes: basil, honey, lavender, cyclamen
  • Middle notes: jasmine, lily, orchid, angelica, vetiver, patchouli, leather, incense
  • Base notes: oakmoss, amber and vanilla


Scent Profile:


As I begin to experience the top notes of Atuana, a gentle rush of basil comes first. Its herbal sharpness cuts through the air, but with a green freshness that feels alive, almost humid, like crushed leaves in a garden after rain. The earthy basil mingles with the warmth of honey, which adds a velvety sweetness, tempering the basil’s sharper edges. It's rich and golden, creating an inviting depth as the honey’s sticky warmth lingers in the air, drawing you deeper into the scent. 

Lavender follows next, cool and soothing, bringing a calming aromatic breeze that contrasts beautifully with the honey’s sweetness. The lavender is more floral than sharp, giving the fragrance a balanced softness that feels both familiar and nostalgic. Cyclamen, a more delicate, watery floral note, ties these elements together, adding a faint touch of powdery freshness, softening the edges of this opening medley.

As the fragrance moves into its heart, the florals begin to bloom. Jasmine emerges first, with its heady and intoxicating presence—creamy and sweet, yet slightly green. This jasmine is rich but never overpowering, combining gracefully with the lily’s more structured, waxy floral scent. The lily adds elegance, crisp and fresh, making the floral bouquet feel refined yet opulent. 

Orchid comes next, a more exotic floral note, adding a touch of mystery with its smooth, almost velvety depth. It feels like stepping into a tropical garden at dusk, the air thick with floral sweetness but with a darker, more sensual undertone.

Among the florals, vetiver and patchouli introduce a grounded earthiness, but in different ways. Vetiver is fresh and grassy, a cool, almost root-like scent that adds a smoky green aspect, while patchouli is richer, with a slightly spicy, woody feel. 

Leather and incense weave through these middle notes, adding a smoky, resinous complexity. The leather is soft and smooth, slightly warm, evoking the luxurious scent of aged, polished hides. The incense brings an air of ritual and depth, its smoky tendrils rising above the flowers, giving the fragrance a mystical, meditative quality. These elements together create a heart that is both floral and earthy, delicate yet dark.

As Atuana dries down, the base notes come forward, wrapping everything in a warm, amber glow. Amber, with its resinous warmth, feels like a slow-burning ember, radiating a golden, slightly sweet warmth that ties the fragrance together. It’s softened by vanilla, which brings a creamy sweetness that feels comforting and rich, almost like warm skin touched by the sun. The vanilla here is not overly sugary, but rather smooth and luscious, blending seamlessly with the amber. 

Oakmoss adds a final grounding touch—damp, earthy, and green—bringing a touch of forest floor dampness to balance the sweeter elements. Together, the base notes leave behind a sensual, warm finish, where amber and vanilla embrace the skin with a lasting, soft, yet evocative presence.

Atuana as a whole feels like a fragrant journey—beginning with fresh, herbal brightness, moving through lush florals, and ending in a deep, ambered warmth, evoking the exotic and tropical world that inspired its creation.

Bottles:


The extrait bottle named "Gratte Ciel" (skyscraper) was made by Baccarat, an eau de cologne version is in a Pochet et du Courval flacon. Also sold in the Baccarat quadrilobe flacon and the Amphore flacon (parfum). 












Fate of the Fragrance:


Atuana by Guerlain, launched in 1952, remained available for nearly a decade, still being sold as late as 1960. However, the exact date of its discontinuation remains uncertain, adding an air of mystery to its legacy. By the 1960s, fragrance trends had begun to shift, and many perfumes from earlier eras quietly faded into history as newer scents took center stage.

Its availability in 1960 speaks to the fragrance's appeal during a time when women were drawn to exoticism and the allure of faraway places. Atuana captured this spirit, offering a blend of aromatic fougère elements with rich amber and vanilla undertones. Even as it remained in circulation, Atuana began to take on the character of a scent from a previous era, a reminder of post-war fascination with tropical escapism and the South Seas.

Though the exact reasons for its discontinuation are unknown, its disappearance mirrors the fate of many fragrances that once embodied a particular time and mood. As Guerlain shifted focus to new creations, Atuana became a relic of the past, remembered by those who experienced its unique blend of spices, florals, and ambered warmth. The discontinuation of Atuana left a gap in Guerlain's fragrant legacy, but its memory lingers as a testament to the house's ability to create olfactory stories inspired by distant lands and cultural treasures.


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