Hello and welcome! Please understand that this website is not affiliated with Guerlain in any way, it is only a reference page for collectors and those who have enjoyed the classic fragrances of days gone by.

The main objective of this website is to chronicle the history of the Guerlain fragrances and showcase the bottles and advertising used throughout the years.

However, one of the other goals of this website is to show the present owners of the Guerlain perfume company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back these fragrances!

Please leave a comment below (for example: of why you liked the fragrance, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories, what it reminded you of, maybe a relative wore it, or you remembered seeing the bottle on their vanity table), who knows, perhaps someone from the current Guerlain brand might see it.

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Monday, October 6, 2014

Le Trouble d’Eugénie - 160 Year Anniversary of the Bee Bottle c2013

Le Trouble d’Eugénie- was one of several special presentations created in 2013 to mark the 160th anniversary of the creation of the bee bottle, known as the Abeille flacon.




Guerlain commissioned nine “Maîtres d’art” of the Institut National des Métiers d’Art of France. Giving them full artistic freedom to create whatever they could envision to centre around a one litre bee bottle. The resulting incarnations are truly the epitome of one of a kind masterpieces.

The unique bottles were on display at the Maison Guerlain, 68, Champs-Élysées, from the 10th of December 2013 to the 14th of February 2014 and were showcased in photo and video exhibitions in Guerlain’s Exclusive Line Doors in 2014. They will be sold to help fund the “Maîtres d’art – Students” project, in which master artists pass down rare and exceptional skills to apprentices, overseen by the Institut National des Métiers d’Art (INMA). You can read more about the INMA online.

Emmanuel Barrois, Maître d’art – Class of 2010. This talented glass architect works on varied projects, from the monumental to the smaller-scaled creations, always trying to exceed the most limited of possibilities. These adept glassmaking concepts, backed by an extreme technical, prospective and futuristic vision, range from the Beijing Opera to the next canopy of the future Forum des Halles in Paris, measuring almost 30,000 square metres.

“Le Trouble d’Eugénie” (“Eugénie’s Confusion”) 
“Eugénie will be crowned Empress in just a matter of hours. As she is getting ready, the bottle drops. The fragrance spills out in absolute shapes. She loses herself in the dark reflections of this sparkling pool. Blood pounds through her temples. She sees something. It’s time. She is caught in a breath…” The transparent bottle has been knocked over on an opaque black glass tray. Splashes of fragrance in singular and crystal-clear shapes stand out against the unfathomable base. This enigmatic mise en abîme is both illusion and realism. Through this piece, a drama takes form, echoing the destiny of the Empress Eugénie. Movement comes face to face with suspended time."

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