Hello and welcome! Please understand that this website is not affiliated with Guerlain in any way, it is only a reference site for collectors and those who have enjoyed the classic fragrances of days gone by. All trademarks belong to their respective owners. The main objective of this website is to chronicle the 200+ year old history of the Guerlain fragrances and showcase the bottles and advertising used throughout the years. Let this site be your source for information on antique and vintage Guerlain perfumes. Another goal of this website is to show the present owners of the Guerlain company how much we miss many of the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back these fragrances! I invite you to leave a comment below (for example: of why you liked the fragrance, describe the scent, time period or age you wore it, who gave it to you or on what occasion, what it smelled like to you, how it made you feel, any specific memories, what it reminded you of, maybe a relative wore it, or you remembered seeing the bottle on their vanity table), who knows, perhaps someone from the current Guerlain brand might see it. If you have any questions, please send all images of your bottle and pertinent information directly to me at cleopatrasboudoir@gmail.com. I will try to assist you the best I can.

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Monday, May 30, 2022

Extrait de Caryophilus album by Guerlain c1848

Extrait de Caryophilus album by Guerlain: launched in 1848. This is the fragrant white carnation (dianthus) blossom.



Fragrance Composition:


So what does it smell like? It is classified as a spicy floral fragrance. The scent of the carnation is described as possessing an extremely rich, sweet honey-like, bright spicy (clove-like), deep floral aroma with a faint minty-herbaceous undertone in the long drydown; extremely tenacious.

Carnation fragrances of the time period included the following in various quantities: vanilla, cassie, orange blossom, rose, clove, jasmine, orris, benzoin, cinnamon, ambergris.
  • Top notes: cassie, orange blossom
  • Middle notes: clove, cinnamon, jasmine, orris
  • Base notes: vanilla, ambergris, benzoin

Bottle:



Presented in the carre flacon.






Petit courrier des dames: Journal des modes, 1848:

"By creating the Chateau des Fleurs, by inventing the Jardin d'Hiver, by making flowers fashionable in all the salons of Paris, at the same time the fashion for perfumes returned, somewhat neglected since the abuse that had been made: amber, musk and vetiver. But the perfume that reappears today no longer has anything to do with those bourgeois emanations of old coquetry. Also, to Guerlain, Rue de la Paix, 11, belongs the right of this completely modern renovation, and nothing more delicate, more suave, more inoffensive to the nerves, and more voluptuous to the sense of smell than these delicious compositions of our famous perfumer. Women of good company can be recognized by its perfumes, as the high lineage of races can be recognized by coats of arms; and when a lock of hair flutters near you, when a magnificent handkerchief falls by your side, or when a fresh and pretty glove approaches your lips by chance, you judge by the perfume which exhales from this hair, this handkerchief, these gloves, if the woman to whom they belong has received at Guerlain the sanction of good fashion taste and distinction.

New odors composed by Guerlain:
  • Extrait de Lolium agriphyllum 
  • Extrait de Phlomis asplenia, 
  • Extrait d'Azalea melaleuca
  • Extrait de Cyparisse Elaidon
  • Extrait d'Hyemalis anthelia
  • Extrait de Cytise sylvaria 
  • Extrait d'Anthemia nobilis 
  • Extrait de Cyperus ruber  
  • Extrait de Tilia microphylla
  • Extrait d'Hymenaea nitida 
  • Extrait de Mimosa fragrans
  • Extrait de Caryophilus album 
  • Extrait d'Amyris Polyolens 
  • Extrait de Polyanthe suaveolens  
  • Extrait de Lathyrus odorans  
  • Extrait d'Ocymum dulce 

By bringing to light these entirely new perfumes, Guerlain points out that they can only be found at home, and recommends to be on guard against the imitations that one will try to make."

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