Hello and welcome! Please understand that this website is not affiliated with Guerlain in any way, it is only a reference site for collectors and those who have enjoyed the classic fragrances of days gone by. All trademarks belong to their respective owners. The main objective of this website is to chronicle the 200+ year old history of the Guerlain fragrances and showcase the bottles and advertising used throughout the years. Let this site be your source for information on antique and vintage Guerlain perfumes. Another goal of this website is to show the present owners of the Guerlain company how much we miss many of the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back these fragrances! I invite you to leave a comment below (for example: of why you liked the fragrance, describe the scent, time period or age you wore it, who gave it to you or on what occasion, what it smelled like to you, how it made you feel, any specific memories, what it reminded you of, maybe a relative wore it, or you remembered seeing the bottle on their vanity table), who knows, perhaps someone from the current Guerlain brand might see it. If you have any questions, please send all images of your bottle and pertinent information directly to me at cleopatrasboudoir@gmail.com. I will try to assist you the best I can.

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Showing posts with label flacon louis xvi. Show all posts
Showing posts with label flacon louis xvi. Show all posts

Friday, March 28, 2014

Flacon Louis XVI c1902-2002

Flacon Louis XVI c1902-2002

Flacon created by Pochet et du Courval to hold extraits of Apres L'Ondee, Muguet, Mouchoir de Monsieur, Violette a deux Sous, Aux Bon Vieux Temps, Sillage, Avril en Fleurs, Ai Loe and others. Flacon has also been used for special limited editions such as Chamade. The original box is white, cylindrically shaped and has Guerlain Paris in gold leaf.

  • 30cc/30ml/1 oz - 9cm/3.54" (1924) amended 30ml/1 oz (1983-2002)
  • 40cc/40ml/1.35 oz - 9cm/3.54" (1950-1959)
  • 75cc/75ml/2.5 oz - 11.3cm/4.45" (1971)
  • 80cc/80ml/2.7 oz - 11.3cm/4.45" (1902-1962)
  • 125cc/125ml/4.2 oz - 12.8cm/5.04" (1903-1965)
  • 250cc/250ml/8.4 oz - 16.4cm/6.46" (1904-1959)
  • 500cc/500ml/16.9 oz - 21.5cm/8.46" (1907-1959)
  • 1 liter/1000ml- 25.5cm/10.04" (1920-1959)
























Tuesday, September 3, 2013

Ebay find! Apres L'Ondee by Guerlain

Ebay find!

Apres L'Ondee by Guerlain early 1980s, limited edition extrait in Louis XVI bottle. I can't make out the batch numbers on the base of the bottle, perhaps the seller can enlighten us.

http://www.ebay.com/itm/Rare-Vintage-GUERLAIN-Apres-Londee-Perfume-SEALED-and-BOXED-/271268016139?pt=LH_DefaultDomain_0&hash=item3f28d5700b

photo by ebay seller voldenuit2

The same seller has another Apres L'Ondee, also in the Louis XVI flacon, dates after 1983.

http://www.ebay.com/itm/Rare-Vintage-GUERLAIN-Apres-Londee-Perfume-SEALED-and-BOXED-/271267967589?pt=LH_DefaultDomain_0&hash=item3f28d4b265

photos by ebay seller voldenuit2

Tuesday, February 5, 2013

Apres L'Ondee by Guerlain c1906

Après L'Ondée by Guerlain, launched in 1906 and created by Jacques Guerlain, is a poetic and evocative name that perfectly reflects the inspiration behind the fragrance. In French, "Après L'Ondée" translates to "After the Shower" or "After the Rain," capturing the delicate and fleeting moment when the rain has passed, and nature begins to stir again under the warmth of the sun. Pronounced "AHPRAY-LUNDAY," the name itself conjures a sense of tranquility and renewal, a moment of peace after the storm. Jacques Guerlain, known for his love of nature and the emotional landscapes it evokes, likely chose this name to encapsulate the gentle beauty of a spring garden refreshed by rain—a theme of renewal, rebirth, and the fleeting beauty of life.

The phrase "Après L'Ondée" brings to mind soft images of a misty garden, where drops of rain still cling to flower petals and leaves, and the air is filled with the scent of wet earth, damp grass, and blooming flowers. It evokes a calm, reflective mood—perhaps a sense of nostalgia or longing—creating an atmosphere that is both serene and wistful. The perfume was inspired by the smell of nature after a spring rain, known as petrichor, and blends this natural scent with the warmth of flowers that have been gently kissed by the sun. The name itself stirs up emotions of freshness, purity, and a delicate sense of melancholy, capturing the beauty of transitory moments in nature and life.

In scent, Après L'Ondée is interpreted as soft, powdery, and floral, reflecting the freshness of a garden after a rain shower. Based on the formula for Voilette de Madame, it combines violet, iris, and heliotrope with hints of warm spice and subtle earthiness, representing the interplay between rain-drenched flowers and the return of sunshine. The fragrance evokes the clean, crisp smell of the air, touched with a light sweetness from the blooming flowers and a gentle warmth from the earth beneath. It captures both the freshness of rain and the comforting warmth that follows, creating a fragrance that feels ethereal yet grounded.

For women in the early 1900s, a perfume called Après L'Ondée would have likely evoked a romantic and poetic sentiment. This was a period of optimism and refinement, at the height of the Belle Époque, where art, culture, and beauty flourished. Women of the time were becoming more engaged with the emerging modern world, but they also held onto ideals of grace, nature, and beauty. A fragrance that drew from the imagery of nature and the beauty of a post-rain garden would have resonated with their desire for elegance, refinement, and emotional expression. The softness and naturalistic inspiration behind the fragrance would appeal to their appreciation for art, poetry, and the symbolic beauty of fleeting moments in life.



Friday, February 1, 2013

Chamade c1969

Chamade was created by Jean-Paul Guerlain in 1969, and it was inspired by the Francoise Sagan's novel “La Chamade”. In the time of Napoleon, ‘chamade’ was a very fast drumbeat that called to retreat.

"Chamade—The start of a love story is something as small as a moment's heartfall. Guerlain named Chamade after that moment."





Sillage by Guerlain c1907

Launched in 1906 and introduced to the U.S. in 1907, Sillage by Guerlain was the creation of master perfumer Jacques Guerlain. The name "Sillage," chosen deliberately, carries a poetic and evocative meaning in French. The word "sillage" itself has a dual significance: it refers to both the wake left behind by a ship as it moves through water and, in the context of fragrance, the trail of scent that lingers in the air as someone walks by. This imagery is both powerful and suggestive, conjuring feelings of mystery, allure, and an enduring presence.

In the realm of fragrance, "sillage" captures the essence of a perfume that remains long after the wearer has passed, leaving a subtle yet memorable reminder of their presence. This name would have appealed to early 20th-century consumers who desired a perfume that communicated elegance and sophistication, evoking both the visual imagery of a graceful ship slicing through water and the invisible yet tangible memory of a lingering scent.

At the time of Sillage’s launch, the world was experiencing rapid industrial growth, and society was moving towards modernity. Women were beginning to assert their independence, navigating a world still dominated by traditional values but with a burgeoning sense of freedom and autonomy. A perfume called "Sillage" would have resonated deeply with women of the era, symbolizing not only their desire for refinement but also their wish to leave a lasting impression in an evolving social landscape. The idea of a fragrance that lingered in the air, trailing behind them as they moved through life, would have held a particular allure, blending romanticism with a modern sense of presence.

Originally crafted as a fragrance for men, Sillage was later adapted for women, its composition evolving to fit the sensibilities of both genders. It is classified as a musky floral fragrance, blending the purity of white flowers with the richness of leather, musk, and woodsy notes, grounded in the signature Guerlinade accord. Later iterations included aldehydes in the top notes, adding a sparkling freshness to the scent. For women of the early 20th century, this sophisticated yet dynamic blend of elements would have symbolized strength and femininity, a reflection of their growing independence during an era of social change.

 


Wednesday, January 30, 2013

Lavande by Guerlain c1833

Launched in 1833 by Pierre-François Pascal Guerlain, Lavande epitomized the elegance and refinement of early 19th-century perfumery. The name "Lavande," derived from the French word for lavender, evokes a sense of tranquility and purity. Lavender, with its deep roots in both traditional medicine and personal care, was a symbol of freshness and cleanliness. The choice of this name would have immediately suggested a fragrance that was both soothing and invigorating, reflecting the calming properties of the lavender flower.

The scent of Lavande would have been interpreted as an aromatic, herbaceous blend, with lavender at its core, offering a crisp and refreshing top note. This fragrance would likely have featured the clean, floral aroma of lavender, complemented by subtle green and slightly woody undertones that would evoke images of serene lavender fields in full bloom.

In the 19th century, lavender was a popular choice for perfumes, and many perfumeries carried their own variations. The choice to name a perfume Lavande thus aligned with contemporary trends, while also reflecting Guerlain’s commitment to capturing the essence of this well-loved floral note. For women of that era, a perfume named Lavande would have been both fashionable and reassuring, offering a blend of sophistication and natural elegance. It would have appealed to their desire for a fragrance that embodied freshness and refinement, mirroring the broader trends in perfumery that celebrated both natural beauty and innovative scent compositions.