Guerlain Goutte Flacon Miniatures

The first Goutte mini bottles appeared in 1970 and were used until 1991. The bottles have undergone many changes (silkscreen uppercase, lowercase, different order ...) so to differentiate their years of creation, they were assigned a code. G8 bottles were for export to Japan, the G10 bottles were for U.S. exports.

G1:	G2:	G3:	G4:	G5:	G6:	G7:	G8:	G9:	G10:
1970	1978	1980	1981	1982	1983	1984	1986	1988	1991

Photo by Lecythiofolie, a collector of miniature perfumes, check out their site at http://www.lecythiofolie.fr/accueil.html

Eaby Find! Djedi in Goutte Flacon

Ebay Find! Djedi eau de toilette in Goutte flacon, dates t the 1930s.

http://www.ebay.com/itm/Rare-Vintage-Guerlain-DJEDI-Edt-100ml-Sealed-1936-1940-/161118790395?pt=LH_DefaultDomain_0&hash=item25836da2fb

photo by ebay seller bragmayer

Ebay Find! Fleur de Feu in Goutte Flacon

Ebay Find! Fleur de Feu in 3 oz Goutte Flacon (Eau de Toilette), probably dates to the 1950s-1960s.

http://www.ebay.com/itm/HTF-Guerlain-FLEUR-DE-FEU-edt-Vintage-Fragrance-w-Frosted-Stopper-/271288592288?pt=LH_DefaultDomain_0&hash=item3f2a0f67a0

photo by ebay seller scentsearch

What does it smell like? Spicy flowers layered over the Guerlinade accord.

• Top notes: aldehydes, ylang ylang, carnation
• Middle notes: jasmine, cinnamon, orris
• Base notes: Guerlinade accord, tonka, vanilla, benzoin, tobacco, patchouli

Shalimar Eau de Toilettes

Shalimar has been presented in various eau de toilette bottles over the years, ranging from splash bottles to sprays. Shalimar Toilet Water debuted in 1925 in a splash bottle, succeeded by the Toilet Water Spray (Eau de Toilette around 1959) . This guide will help you identify and date your bottles.

You may still be able to find the following:

• Eau de Toilette Spray 2.5 fl oz
• Eau de Toilette Spray 1.7fl oz
• Eau de Toilette Gold Bee Bottle 16.9fl oz
• Eau de Toilette Gold Bee Bottle 33.8fl oz
• Eau de Toilette White Bee Bottle 16.9fl oz
• Habit De Fete Eau de Toilette Spray Refill 3.1fl oz
• Shalimar Light Eau de Toilette Spray 2.5fl oz

Flacon Goutte (Teardrop Bottle) c1923-2001

Bottle created by Pochet et du Courval to hold eaux de toilette only. Bottle also made by different manufacturers over the years. Created as the standard Eau de Toilette presentation. The frosted glass stopper is made of two cockle shells; the label depicts two dolphins known as ‘Etiquette Dauphin’.

Different manufacturers:

• 50cc/50ml/1.7 oz - 8 to 9cm/3.15" to 3.54" (1973) replaced by 50ml - 8.9 cm (1983-1988)
• 100cc/100ml/3.4 oz - 12 to 13cm/4.72" to 5.12" (1938) replaced by 100ml - 12.5 cm (1983-1994)
• 250cc/250ml/8.4 oz - 16 to 17cm/6.3" to 6.69" (1923) replaced by 250ml - 16.8 cm (1983-1995)
• 500cc/500ml/16.9 oz - 20 to 21cm/7.87" to 8.27" (1923-2001)
• 1 liter - 25 to 26cm/9.84" to 10.24" (1923-1999)

Stoppers:

• 1923-1973: ground glass
• 1973-1980: glass with plastic dowel
• 1980-1987: gilded glass with screw on plastic dowel
• 1987-2002: glass with plastic dowel

Labels:

• 1923-1979: newsprint dolphin label
• 1980-1987: Black and gold oval label
• 1987-2001: no label, silkscreened serigraphy on bottle instead

Eau de Toilette Travel Bottle with Atomizer c1960s-1970s


This particular bottle dates to 1967, based on the date on the box. The bottle was used for demonstration purposes so that customers could test the fragrance. It was not meant for resale.

Delft Style Refillable Atomizers c1968


The 1960s also saw a different type of bottle for Shalimar eau de toilette, this was a cylindrical metal bottle which housed a 3fl oz glass spray vial which could be replaced with a new refill when finished. The metal bottle was enameled with blue and white Oriental designs. This copyrighted design was launched in 1968. Other scents were packaged in similar looking enameled cases.

Flacon Louis XVI c1977-1983

Flacon created by Pochet et du Courval to hold extraits of Apres L'Ondee, Muguet, Mouchoir de Monsieur, Violette a deux Sous, Le Bon Vieux Temps, Ai Loe and others. Flacon has also been used for special limited editions for export such as Chamade, Shalimar, Mitsouko, Vetiver, L'Heure Bleue, Apres L'Ondee, Jicky.

Shalimar Eau de Toilette, circa 1977-1983. Photo from worthpoint

Limited Edition Eau de Toilette c1984

Limited edition 1 oz eau de toilette spray. This bottle was also used for a limited edition eau de cologne in the same year.

photo by ebay seller luxuryluver

Gold Refillable Atomizers c1981-1989


In the 1980s, gold purse sprays were available for all scents and the original Shalimar bottle got a modern makeover and now came with a plastic cap and spray nozzle. The original bottle continued to be made, but for the Parfum only. In 1981, a limited edition gold tone cylindrical bottle was offered with a glass spray bottle, which could be replaced with a new refill when finished.These gold bottles hosted all Guerlain eau de toilette fragrances at one point between 1981 and 1989.

Eau de Toilette Spray Flacon c1966-1983

This spray bottle design was also used for the Film Spray (light moisturizing lotion in spray form), launched in 1966 . Notice the box design on the 1983 version.

c1983. Shalimar Eau De Toilette Atomizer 1.7 oz. Photo by ebay seller ezlisting.

Shalimar Eau de Toilette c1980-1983

Shalimar Eau de Toilette c1980s. Peach colored box with an embossed zig zag pattern and gilded frame surrounded the perfume name and information. This is an unusual presentation and is not commonly seen up for sale.

Footless Chauve Souris c1995-2000

The footless Chauve Souris bottle was first used for Shalimar eau de toilette in 1995 and later was used for its eau de cologne as well. The eau de toilette had a blue cap/stopper and the later versions of the eau de cologne had a frosted white cap/stopper.

Habit de Fete Refillable Atomizers c1997- present


As the millennium approached, Guerlain wanted a fresh, modern look for some of its bottles, and introduced the Habit de Fete limited edition bottles in 1997. These bottles are an updated version of it's classic refillable styles, but come in three different sizes. The bottles are a thick gold tone studded with silvery dots. Refills for these bottles can be found at the Guerlain counters or purchased online.

Shalimar Habit de Fete. 3.1 oz Eau de Toilette. Photo from ebay seller jackperfume

c1998 Anniversary Edition

This special bottle had a clear crystal stopper instead of the usual blue, and the bottle was filled with Eau de Parfum splash. It came in two sizes, 1 oz and 2 oz. It also came in a 4.2 oz Eau de Toilette splash. The box is a flocked midnight blue color.

c2000 Shalimar Edition Limitee Inverse


For this limited edition,Guerlain decided to have the bottle itself made up of a sapphire blue crystal and the stopper clear crystal, instead of the reverse.This was a 30ml size eau de parfum splash for 350 francs. It was also available in eau de toilette in the 125ml size for 500 francs.

Chauve Souris Eau de Toilette c2000-2010

This is a variation on the famous Chauve Souris flacon. This flacon was replaced in 2010 by the edition by Jade Jagger.

c2003 Shalimar Eau Legere Parfumee


2003-- Shalimar Eau Legere Parfumee, also known as Shalimar Light Fragrance, introduced in 2003, it skips the musky accord and goes from the cool lemon top into a warm vanilla heart. It was created by Mathilde Laurent, a young in-house Guerlain perfumer.

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c2004 Shalimar Eau Legere Parfumee


In 2004, Jean Paul Guerlain slightly changed the composition and color of the perfume. It is lighter as the name suggests and less complex than the original Shalimar. Shalimar Eau Legere Parfumee was discontinued and replaced by Eau de Shalimar in 2008.

c2008 Eau de Shalimar


Eau de Shalimar by Guerlain is a oriental vanilla fragrance for women. Eau de Shalimar is a new fragrance and it was introduced in 2008. Top notes are orange, bergamot and lime; middle notes are rose and jasmine; base notes are vanilla, iris and resin. But according to Guerlain's own information, it's only a repackaging of the successful Shalimar Eau Légère Parfumée, composed by Mathilde Laurent in 2003. Jean-Paul Guerlain reworked it slightly in 2004 and the fragrance was then attributed to him.

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c2009 Fleur de Shalimar Flacons


Fleur de Shalimar 75ml eau de parfum and Eau de Shalimar Fleur 75ml eau de toilette, are two limited edition bottles for collectors. Guerlain explains that the perfumes were "created to celebrate the most bewitching and sensual note of the classic fragrance: vanilla blossom. Protective of its own rarity, it only blossoms for a few hours at sunrise. In awe of this quiet, intimate moment with vanilla flowers Guerlain set out to capture a second of eternity, etching its blossoms on the Shalimar bottle for two limited editions. The vanilla blossom on the voluptuous neck of the bottle underscores the perfume’s intensity, then appears in a precious, radiant hallmark - first in midnight blue on the glass of the bottle, then in gold on the packaging which shields its mysterious blossoming from observation".Only the bottles are different, the fragrance is unchanged.

c2010 Shalimar Edition Charms

Shalimar Edition Charms 75ml eau de parfum and Eau de Shalimar Edition Charms 75ml eau de toilette are two limited edition collector's flacons holding the usual juices. "The desire to experience sensuality, femininity, mystery...to succumb to SHALIMAR ÉDITION CHARMS, whose bottle decorated with Oriental motifs, evokes the splendours of India. Slender arabesques unfurl their delicate volutes over the bottle and box. They are inspired by the motifs on the rings worn by Indian women on every occasion, along with the embroidery admired on the shimmering colours of ceremonial saris. A blue silk thread is wound around the neck of the bottle, holding the famous golden "signet" engraved with the double G."

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Jicky c1889

Jicky by Guerlain: originally created in 1889. It is a classical fragrance and, despite the age, it is timeless and still very modern.

According to the legend, the perfume was named after a girl Aimé Guerlain was in love with when he was a student in England, and then it was said that the perfume was named after his uncle Jacques Guerlain’s nickname – Jicky.

It is more likely, though, that Aimé, a gay man, was hiding his love for someone else named Jacques and someone at Guerlain created the story of a long lost female love to hide his sexuality and to protect the reputation of Guerlain during the late 1800s, which is not unreasonable given the time period.

In 1911, Gabriel Guerlain said "the name Jicky (diminutive of Jack) was the familiar name of one of my many sons when he was a child. As we found it original we gave it to one of our scents."

Apres L'Ondee by Guerlain c1906

Après L'Ondée by Guerlain, launched in 1906 and created by Jacques Guerlain, is a poetic and evocative name that perfectly reflects the inspiration behind the fragrance. In French, "Après L'Ondée" translates to "After the Shower" or "After the Rain," capturing the delicate and fleeting moment when the rain has passed, and nature begins to stir again under the warmth of the sun. Pronounced "AHPRAY-LUNDAY," the name itself conjures a sense of tranquility and renewal, a moment of peace after the storm. Jacques Guerlain, known for his love of nature and the emotional landscapes it evokes, likely chose this name to encapsulate the gentle beauty of a spring garden refreshed by rain—a theme of renewal, rebirth, and the fleeting beauty of life.

The phrase "Après L'Ondée" brings to mind soft images of a misty garden, where drops of rain still cling to flower petals and leaves, and the air is filled with the scent of wet earth, damp grass, and blooming flowers. It evokes a calm, reflective mood—perhaps a sense of nostalgia or longing—creating an atmosphere that is both serene and wistful. The perfume was inspired by the smell of nature after a spring rain, known as petrichor, and blends this natural scent with the warmth of flowers that have been gently kissed by the sun. The name itself stirs up emotions of freshness, purity, and a delicate sense of melancholy, capturing the beauty of transitory moments in nature and life.

In scent, Après L'Ondée is interpreted as soft, powdery, and floral, reflecting the freshness of a garden after a rain shower. Based on the formula for Voilette de Madame, it combines violet, iris, and heliotrope with hints of warm spice and subtle earthiness, representing the interplay between rain-drenched flowers and the return of sunshine. The fragrance evokes the clean, crisp smell of the air, touched with a light sweetness from the blooming flowers and a gentle warmth from the earth beneath. It captures both the freshness of rain and the comforting warmth that follows, creating a fragrance that feels ethereal yet grounded.

For women in the early 1900s, a perfume called Après L'Ondée would have likely evoked a romantic and poetic sentiment. This was a period of optimism and refinement, at the height of the Belle Époque, where art, culture, and beauty flourished. Women of the time were becoming more engaged with the emerging modern world, but they also held onto ideals of grace, nature, and beauty. A fragrance that drew from the imagery of nature and the beauty of a post-rain garden would have resonated with their desire for elegance, refinement, and emotional expression. The softness and naturalistic inspiration behind the fragrance would appeal to their appreciation for art, poetry, and the symbolic beauty of fleeting moments in life.

Chamade c1969

Chamade was created by Jean-Paul Guerlain in 1969, and it was inspired by the Francoise Sagan's novel “La Chamade”. In the time of Napoleon, ‘chamade’ was a very fast drumbeat that called to retreat.

"Chamade—The start of a love story is something as small as a moment's heartfall. Guerlain named Chamade after that moment."

Lavande by Guerlain c1833

Launched in 1833 by Pierre-François Pascal Guerlain, Lavande epitomized the elegance and refinement of early 19th-century perfumery. The name "Lavande," derived from the French word for lavender, evokes a sense of tranquility and purity. Lavender, with its deep roots in both traditional medicine and personal care, was a symbol of freshness and cleanliness. The choice of this name would have immediately suggested a fragrance that was both soothing and invigorating, reflecting the calming properties of the lavender flower.

The scent of Lavande would have been interpreted as an aromatic, herbaceous blend, with lavender at its core, offering a crisp and refreshing top note. This fragrance would likely have featured the clean, floral aroma of lavender, complemented by subtle green and slightly woody undertones that would evoke images of serene lavender fields in full bloom.

In the 19th century, lavender was a popular choice for perfumes, and many perfumeries carried their own variations. The choice to name a perfume Lavande thus aligned with contemporary trends, while also reflecting Guerlain’s commitment to capturing the essence of this well-loved floral note. For women of that era, a perfume named Lavande would have been both fashionable and reassuring, offering a blend of sophistication and natural elegance. It would have appealed to their desire for a fragrance that embodied freshness and refinement, mirroring the broader trends in perfumery that celebrated both natural beauty and innovative scent compositions.

Fleur de Feu by Guerlain c1948

Fleur de Feu, launched by Guerlain in 1948 and created by Jacques Guerlain, is a fragrance imbued with profound symbolism and historical significance. The name Fleur de Feu translates from French as "Flower of Fire," a poetic and evocative phrase that captures the essence of rebirth and renewal. Pronounced [flerr duh foe], this name conjures imagery of vibrant blooms emerging from the flames, reminiscent of the mythical phoenix—a legendary bird that bursts into flames at the end of its life cycle, only to rise anew from its ashes. The phoenix symbolizes transformation, resilience, and the cyclical nature of life, perfectly reflecting the fragrance's intention to embody a fresh start following the devastation of World War II.

The choice of name, Fleur de Feu, is imbued with a dual layer of meaning. On one hand, it represents the phoenix's rise from destruction, symbolizing hope and regeneration. On the other, it pays homage to the blossoming of beauty from adversity, much like Paris itself, which had recently emerged from the shadow of Nazi occupation. The fragrance, with its spicy floral composition layered over the Guerlinade accord, embodies a triumphant resurgence, combining the complexity of rich, spicy flowers with the timeless elegance of Guerlain’s signature scent.