In May 2009, Guerlain presented the Les Voyages Olfactifs fragrance collection inspired by the cities of Paris, New York and Tokyo. Two other scents were launched: London in 2011, and Shanghai in 2012.
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Hello and welcome! Please understand that this website is not affiliated with Guerlain in any way, it is only a reference site for collectors and those who have enjoyed the classic fragrances of days gone by. All trademarks belong to their respective owners.
The main objective of this website is to chronicle the 200+ year old history of the Guerlain fragrances and showcase the bottles and advertising used throughout the years. Let this site be your source for information on antique and vintage Guerlain perfumes. Another goal of this website is to show the present owners of the Guerlain company how much we miss many of the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back these fragrances!
I invite you to leave a comment below (for example: of why you liked the fragrance, describe the scent, time period or age you wore it, who gave it to you or on what occasion, what it smelled like to you, how it made you feel, any specific memories, what it reminded you of, maybe a relative wore it, or you remembered seeing the bottle on their vanity table), who knows, perhaps someone from the current Guerlain brand might see it.
If you have any questions, please send all images of your bottle and pertinent information directly to me at cleopatrasboudoir@gmail.com. I will try to assist you the best I can.
Saturday, February 9, 2013
La Cologne Du Parfumeur c2010
La Cologne Du Parfumeur: a citrus aromatic fragrance for women and men, introduced in 2010. The nose behind this fragrance is Thierry Wasser.
"Originally, I created this Cologne for myself. I composed it at the same time as Idylle, it was my downtime. I wanted a Cologne in the tradition of the great classics but with a modern twist."
"Originally, I created this Cologne for myself. I composed it at the same time as Idylle, it was my downtime. I wanted a Cologne in the tradition of the great classics but with a modern twist."
Spiritueuse Double Vanille c2007
Spiritueuse Double Vanille: launched in 2007 as a limited edition. Created by Jean-Paul Guerlain.
Songe d'un Bois d'Ete c2012
Songe d'un Bois d'Ete: was launched in 2012. The nose behind this fragrance is Thierry Wasser. Created as part of the Les Deserts d'Orient collection, available only to the Middle Eastern market.
Encens Mythique d'Orient c2012
Encens Mythique d'Orient by Guerlain: was launched in 2012. The nose behind this fragrance is Thierry Wasser. Created as part of the Les Deserts d'Orient collection, available only to the Middle Eastern market.
Rose Nacree du Desert c2012
Rose Nacree du Desert: was launched in 2012. The nose behind this fragrance is Thierry Wasser. Created as part of the Les Deserts d'Orient collection, available only to the Middle Eastern market.
Prince Albert's Bouquet by Guerlain c1840
Launched in 1840 by Pierre-François Pascal Guerlain, Prince Albert's Bouquet was crafted to celebrate a momentous occasion: the marriage of Queen Victoria and Prince Albert. This fragrance, also known as Bouquet de Albert, stands as a testament to the tradition of commemorating royal events through exquisite perfumery. The name “Prince Albert's Bouquet” evokes a sense of honor and celebration, reflecting the admiration and respect for the royal couple.
The term "Prince Albert's Bouquet" conjures images of regality and elegance, symbolizing the refined taste of Victorian nobility. It suggests a luxurious blend of florals, fitting for a prince whose union with Queen Victoria was celebrated with grandeur. The fragrance itself would have likely been designed to embody the sophistication and splendor associated with the royal court, offering a scent that was both opulent and memorable.
For men and women of the period, a fragrance like Prince Albert's Bouquet would have been a cherished token of royal celebrations. During the 19th century, perfumes commemorating significant events were highly sought after, and acquiring such a fragrance was a way to align oneself with the prestige of the monarchy. The popularity of “court” perfumes, such as Victoria Bouquet, Adelaide Bouquet, and Prince of Wales's Bouquet, underscores the era’s fascination with fragrances that celebrated nobility and significant occasions.
In this context, Guerlain’s choice to create Prince Albert's Bouquet not only capitalized on the fervor surrounding royal weddings but also positioned his brand prominently in the competitive perfume market. The fragrance would have been crafted to appeal to the tastes of the time, combining floral elements with subtle touches of animalics, reflecting both the natural and sophisticated sensibilities of the era. As the 19th century progressed, the formula for such fragrances evolved, incorporating newly discovered synthetic ingredients to enhance their complexity and longevity.
Pao Rosa c1877
Pao Rosa by Guerlain: created by Aimé Guerlain in 1877. Pao Rosa grows in the dense forests of Africa. Its narrow sapwood is a pinkish white color and its heartwood is a reddish brown color with red brown veins.
180 Ans de Creations c2008
180 Ans de Creations 1828-2008: launched in 2008.
Guerlain's 180th anniversary was celebrated with a brand new limited edition perfume, composed by Jean-Paul Guerlain. A non-commercial perfume gift offered only to loyal customers and industry people.
"To celebrate an exceptional event, Maison Guerlain's 180-year anniversary, Jean-Paul Guerlain has composed a very contemporary fragrance which has been created in traditional Guerlain style. With sensual amber notes that stir the senses, and a bottle which has been hand-sealed by the "dames de table", this limited edition scent, which will NOT be available for sale, has all the rarity and uniqueness of a collector's item."
Friday, February 8, 2013
Esterhazy Mixture by Guerlain c1828
Esterhazy Mixture: created by Pierre Francois Pascal Guerlain in 1828. Renamed Eau d'Esterhazy in 1850. Bouquet d'Esterhazy was an old renowned perfume, a former rival of Cologne water, the name is derived from a noble Hungarian family. It later lended its name after a popular snuff blend of the period.
Eau Hegemonienne c1880
L'Eau Hegemonienne: Created in 1880 by Aime Guerlain, it was a personal favorite of Isabella II of Spain, the mother of Alfonso XII, King of Spain, for whom it was created, additionally, the succeeding generations of the Spanish royal family. It appears to have been available to the general public by 1890 and was created to be a tribute to the hegemonic international alliances between the world's greatest powers.
Le Fleurs de Guildo by Guerlain c1885
Le Fleurs de Guildo, launched by Guerlain in 1885, carries a name evocative of its regional inspiration and cultural significance. "Le Fleurs de Guildo" translates to "The Flowers of Guildo," referencing the picturesque village of Guildo in Brittany, France. The choice of this name suggests a romanticized vision of the French countryside, where the lush flora and serene landscapes inspire a sense of elegance and tranquility.
The name conjures images of vibrant, blooming flowers set against a backdrop of Brittany’s rugged coastlines and quaint village charm. It evokes a romantic, almost pastoral aesthetic, reflecting the delicate and fresh nature of the fragrance. To interpret "Le Fleurs de Guildo" in terms of scent, one might imagine a bouquet of floral notes, reminiscent of the natural flora found in the region, with a subtle hint of the coastal breeze. This evokes an atmosphere of refinement and natural beauty, with a fragrance that captures the essence of a charming, rural escape.
Women of the late 19th century, particularly young women targeted by the marketing of the extrait according to Alice de Laincel's L'art de la toilette chez la femme: bréviaire de la vie élégante, would have been drawn to the fragrance’s association with freshness and natural beauty. The perfume’s name and scent would align with the era's aesthetic values, which celebrated refinement, elegance, and a connection to nature. The late 1800s was a period marked by a growing interest in natural and botanical themes in fashion and fragrance, reflecting a broader societal appreciation for the elegance of the natural world and its influence on personal style.
In this context, "Le Fleurs de Guildo" not only embodied the spirit of its namesake but also catered to the period's taste for sophisticated, nature-inspired fragrances, resonating with women seeking to express their elegance and embrace the beauty of the natural world.
Guerlain's Scented Flannel
The New Yorker, Volume 11, Part 2, 1935:
"At Guerlain's, they have a new way of perfuming your clothes, a scented flannel which you can buy by the roll and cut off in .."
A Parisian's guide to Paris, 1969:
"Thus the only places in Paris where you can buy the famous Guerlain products (perfume, toilet water, marvelous soap, talc, face cream, and even scented flannels which let you perfume your car windows as you wipe them off) are their own .."
"At Guerlain's, they have a new way of perfuming your clothes, a scented flannel which you can buy by the roll and cut off in .."
"Thus the only places in Paris where you can buy the famous Guerlain products (perfume, toilet water, marvelous soap, talc, face cream, and even scented flannels which let you perfume your car windows as you wipe them off) are their own .."
Wednesday, February 6, 2013
Tuesday, February 5, 2013
Guerlain Silver Fountain Labels
The Silver Fountain labels represent the fountains at the 1925 Art Deco Expo in Paris, they were used in 1928 to mark the 100th anniversary of the founding of Guerlain. The perfumes were boxed in a blue and silver box and the perfumes were presented in a clear glass bottle called the "petit beurre" or little butter pat..
Muguet by Guerlain c1833
Muguet by Guerlain, introduced in 1833,takes its name from the French term for “Lily of the Valley.” The word "Muguet," pronounced "mew-geh," evokes a sense of delicate elegance and purity, as Lily of the Valley is a small, bell-shaped flower known for its sweet, fresh fragrance and its association with springtime renewal. The choice of this name underscores the perfume’s intention to capture the essence of these pristine, fleeting blooms.
In scent, “Muguet” conjures a vision of a lush, verdant garden where the air is filled with the light, airy aroma of Lily of the Valley. The fragrance opens with a fresh, green note that evokes the crispness of morning dew on delicate white petals. This is complemented by a subtle sweetness that lingers, reminiscent of a soft, floral breeze wafting through a sunlit meadow. The scent is both uplifting and soothing, capturing the ethereal beauty and transient nature of the flower.
During the 19th century, the perfume industry was deeply invested in creating scents that mirrored the natural world, and Muguet was no exception. At the time, many fragrances were centered around complex floral bouquets, often enriched with animalic undertones to add depth and sophistication. Guerlain’s Muguet distinguished itself by focusing on the pure, unadulterated scent of Lily of the Valley, presenting a fragrance that was both simple and refined. This choice reflected the period’s fascination with capturing nature’s most delicate scents while still adhering to the prevalent trend of incorporating rich, layered compositions.
Apres L'Ondee by Guerlain c1906
Après L'Ondée by Guerlain, launched in 1906 and created by Jacques Guerlain, is a poetic and evocative name that perfectly reflects the inspiration behind the fragrance. In French, "Après L'Ondée" translates to "After the Shower" or "After the Rain," capturing the delicate and fleeting moment when the rain has passed, and nature begins to stir again under the warmth of the sun. Pronounced "AHPRAY-LUNDAY," the name itself conjures a sense of tranquility and renewal, a moment of peace after the storm. Jacques Guerlain, known for his love of nature and the emotional landscapes it evokes, likely chose this name to encapsulate the gentle beauty of a spring garden refreshed by rain—a theme of renewal, rebirth, and the fleeting beauty of life.
The phrase "Après L'Ondée" brings to mind soft images of a misty garden, where drops of rain still cling to flower petals and leaves, and the air is filled with the scent of wet earth, damp grass, and blooming flowers. It evokes a calm, reflective mood—perhaps a sense of nostalgia or longing—creating an atmosphere that is both serene and wistful. The perfume was inspired by the smell of nature after a spring rain, known as petrichor, and blends this natural scent with the warmth of flowers that have been gently kissed by the sun. The name itself stirs up emotions of freshness, purity, and a delicate sense of melancholy, capturing the beauty of transitory moments in nature and life.
In scent, Après L'Ondée is interpreted as soft, powdery, and floral, reflecting the freshness of a garden after a rain shower. Based on the formula for Voilette de Madame, it combines violet, iris, and heliotrope with hints of warm spice and subtle earthiness, representing the interplay between rain-drenched flowers and the return of sunshine. The fragrance evokes the clean, crisp smell of the air, touched with a light sweetness from the blooming flowers and a gentle warmth from the earth beneath. It captures both the freshness of rain and the comforting warmth that follows, creating a fragrance that feels ethereal yet grounded.
For women in the early 1900s, a perfume called Après L'Ondée would have likely evoked a romantic and poetic sentiment. This was a period of optimism and refinement, at the height of the Belle Époque, where art, culture, and beauty flourished. Women of the time were becoming more engaged with the emerging modern world, but they also held onto ideals of grace, nature, and beauty. A fragrance that drew from the imagery of nature and the beauty of a post-rain garden would have resonated with their desire for elegance, refinement, and emotional expression. The softness and naturalistic inspiration behind the fragrance would appeal to their appreciation for art, poetry, and the symbolic beauty of fleeting moments in life.
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